Sunday, December 09, 2007

Shostakovich Cycle - Part 3

The penultimate concert in the series took place on December 5 and featured the Nagoya Philharmonic Orchestra. The first work was the monumental Symphony #11, one of my favorites. It is long and somber, yet is has moments of great drama. I am curiously moved each time I hear it. It is subtitled "The Year 1905" and supposedly depicts the disastrous march on Palace Square that year. However, I first heard it in San Francisco conducted by Leonard Slatkin, when he addressed the audience beforehand and told his interpretation - that the symphony really portrays the Soviet quelling of the Hungarian uprising in the 50's. Of course, Shostakovich could not have said that in his program for the symphony, and it makes certain sense. In any event, it was an excellent performance despite the theatrics of the Maestro Inoue. Once again I sat in the balcony, where the sound was excellent.

This was followed by Symphony #12, which seems to be an attempt to redo the 11th. It seemed rather wan and forced, and it was curious to hear the two performed in succession, because it showed to me how inconsistent Shostakovich was as a syphonic composer.

The final concert was on December 9 and featured the New Japan Philharmonic, which Inoue led for several years. The first part of the program was Symphony #8. The first and third movements are engaging, but the fourth and fifth seem interminable. This was another one of his less successful works.

But, one of the highlights of the entire cycle was the last work, Symphony #15, his final symphony. It is full of humor and irony, and it is engaging from start to finish. And the finish is quite wonderful with clicking percussion - a clock-like machine winding down.

Kudos to Maestro Inoue for affording me the opportunity to hear all of the symphonies in a concentrated period of time. Although I do not admire his theatrical conducting style, the performances were excellent. The symphonies themselves are of varying interest to me. The successes are #4, #5, #9, #11 and #15. The failures are #1, #2, #3, #13, and #14. The others have moments of brilliance and stretches causing ennui.

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